Pseudo-Code Gesso

Over the past week, I’ve explored using the image sampler to extract shifted, layered fields of points from the Uccello paintings. By overlaying different types of image filters (saturation, brightness, color), I’ve developed a group of linked voronoi patterns that, seen in plan, suggest shifting sectional conditions. That said, these definitions are pretty hefty, so while I sort that out in order to post a .ghx file, I’ll leave you with some hand-drawn pseudo-code diagrams:

GH, Rhino, Illustrator, Gesso, Graphite

yellow trace, ballpoint pen, gesso

yellow trace, ballpoint pen

yellow trace, gesso


First Up

Paolo Uccello’s Battle of San Romano cycle is the subject of my first experiments. Take a good look at the images before I grasshopper away: